New York's definition is one of the most detailed. The Australian definition on the other hand probably includes Hacker News because it includes both "a logged-in feature" and "endless feed" and the fact that posts move off the home page probably falls under "time-limited features". Perhaps some legal interpretation will find that paging is not legally "endless feed", but I could see it going either way. The definition basically is written so that blogs with comment sections aren't included, but with quite an expansive scope otherwise.
In the US, yes, but Huawei has been gaining ground selling its SuperPod/Ascend turnkey solutions internationally, with some major recent wins in Thailand, Brazil, Egypt and Morocco.
No. They're a decent playground for prototyping hybrid algorithms but even that is limited. No one has yet published a hybrid algorithm on a rentable QC provider that has better benchmark performance than a modern CPU/GPU implementation.
>there are cross shaped parasites that grant eternal life
Without giving away any spoilers to the books, the parasites are only that on the surface. If anything, the books present a wary picture of religion, especially the last two Endymion books, but also a wary picture of technology.
I'm somewhat sympathetic to the conclusion, but from a different perspective. One of the interesting things I've found about literature is that it's hard to fully appreciate the nuances in the decade it's written.
It's a bit like nose blindness; you don't appreciate the subtle way that your house smells until you've been away from it for a while. Books have a similar "smell" in the sense that it becomes easier to see what aspects are tethered to a particular era and what aspects are more universal when some time has passed. Even "fun" works like Snow Crash have aspects of this; there are parts of the book that stand out as pretty timeless and others that feel early 90s-west coast ways of viewing the world and people. When I read it for the first time years ago, none of that really stood out.
Same thing applies to film though. Ignoring pacing, My Dinner with Andre is IMHO way more fascinating to watch today than it was 45 years ago, because what's wheat and what's chaff is clearer in retrospect.
In this case the article's guess is probably accurate. Apple did change how they measure RHR in WatchOS 11.2. If the author was using an Apple Watch that doesn't support 11.2 and then switched to one that does, a swing was very likely.
That's the interesting thing about this study. A lot of people here are speculating around explanations connected to metamerism, but the control (Figs 7 and 9) partly rules that out.
A lot of the stuff written on "izzat" is questionable or wrong, but it is true that India has a collective concept of saving face. This can be an adjustment even if you're used to the East Asian concept of saving face.
The enduring success of the Charlie Brown Christmas Special (despite its hokey Coca-Cola sponsored origins) strongly runs counter to this idea. The other kids in the special are outright mean to Charlie, but at the end no one identifies with the other kids' perspective, nor do they themselves.
Part of the reason the Halloween Special never gained the same cultural relevance/popularity is probably because it doesn't have the same progression. The other kids are mean to Linus and he persists despite it all, but ultimately it ends with no resolution to the mocking.
[Content warning: this post has been written while the author is on cold medicine and before having any coffee. Read at your own risk!]
But you know those other kids are going to go right back to being assholes as soon as "the magic of Christmastime" wears off.
It seems like the message is kind of, "It's ok to be an asshole, as long as at certain, 'special' moments, you show a token gesture of goodwill."
I haven't watched the whole show through in decades, so it's possible my memory is faulty, but I don't recall any of the mean kids making any sort of apology or atoning for their behaviour. It's just "and now we're all friends because Christmas!"
And then the next day, Lucy's back to tormenting her ostensible "friend".
It's easy enough to interpret Peanuts as being that. But Charles Schultz was not trying to present that. He was presenting the world as it is, and how one person can still maintain his optimism in spite of all that. This is made abundantly clear in some of the other strips, like the Father's day strip where he explains to Violet that no matter what, his dad will always love him, and he doesn't care that Violet's dad can buy her all the things.
Schultz was a relatively devout Presbyterian (though still very much a free thinker and criticized the direction American Christianity was going and its attitude about the various wars during the 60s-80s). He was incredibly optimistic about humanity, but he showed in Peanuts the reality of our "default" state, especially among kids.
Keep in mind that these are all 2nd and 3rd graders in the story.
In the Christmas Special, the kids come to see Charlie Brown as right and are fairly vocal about this ("he's not a blockhead after all", etc.). It is somewhat tethered to the religious elements voiced by Linus, which gives the turnaround to Charlie's perspective a kind of cultural weight, i.e., the audience is intended to understand the kids as wrong in some kind of fundamental way. It's not as simple as "the magic of Christmas".
In the Halloween Special, the kids don't do the same for Linus, apart from Lucy who pulls him out of the cold and tucks him into bed.
The dynamic between Lucy and Charlie is a lot deeper than her cynical kicking the ball trick. Schultz uses their interactions (the psychiatry booth, him keeping her on the baseball team even though she's consistently terrible) to reinforce an overall theme that optimism is better than pessimism. Occasionally he directly peels back the layers behind Lucy's crabbiness like when Charlie's in the hospital.
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